MIRZA GADIM IRAVANI: BETWEEN THE PAST AND THE FUTURE

Abstract

Abstract. This article explores the life and artistic contributions of Azerbaijani artist Mirza Gadim Iravani (1825-1875). Notably, Iravani created portrait wall panels in oil on canvas in the mid-19th century during the restoration of the Sardar Palace in Iravan, which was later destroyed. He is recognized as the founder of Azerbaijani easel painting. The author discusses this pivotal phase of Iravani's work, connecting the prestigious state commission with the historical context of the region at the time. The article also analyzes several paintings that replaced the lost frescoes from the palace restoration, which are now preserved in the State Art Museum of Georgia. These works have recently been showcased to the public after restoration by experts from the Azerbaijan National Museum of Art. Additionally, the article examines some of the few surviving easel and decorative-applied works of Iravani, particularly those housed in the Azerbaijan National Museum of Art. It highlights their innovative qualities, linking the art of the Qajar period with European art principles.