EXPERIENCE OF POSTMODERNISM AND LESSONS OF KAZAKH ORNAMENT IN MODERN PAINTING OF KAZAKHSTAN

Abstract

In the article, on the example of the work of Kazakh artists of 1960-90, the variety of interpretations of the sign system of the traditional national ornament in professional fine arts is explored. Particular attention is paid to the mastering by painters of formal-structural and coloristic features of the cultural phenomenon of the Kazakh ornament. Namely, the principles of creating ornamental patterns, such as compositional organization, the ratio of rhythms and space, semantics and symbolism, color preferences and linear features. The organic interweaving of artistic techniques and plastic ideas of the Kazakh ornament in the works of national artists, their organic connection with national culture and mentality is revealed.

The works of Kazakh artists interpreting the experience of traditional ornament – S. Aitbayev and T. Togusbayev, A. Sydykhan, B. Bapishev, G. Madanov, A. Yesdauletov, G. Karzhasov and others were used as sources in writing the article. methods of comparative analysis of works – disclosure of the genre, ideas and issues; the iconographic method, which is based on the history of ornament as an image, the study of the key moments of ornamental plots, as well as the method of hermeneutic interpretation of literary texts.